Avalanche Kaito: a Burkinabe urban griot (vocalist and multi-instrumentalist Kaito Winse) meets a Brussels noise punk duo (Drummer/dataist Benjamin Chaval and guitarist Nico Gitto). It’s a completely new alloy and a huge opportunity to deconstruct both traditional and futurist knowledge.

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YĪN YĪN’s dazzling second album dives even deeper into dancefloor propulsion and space travel atmospherics than their lauded debut The Rabbit that Hunts Tigers (2019). Funk and disco beats. Electro experimentation. Global retro vibes. A shimmering, cinematic sweep.

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The luminous 3rd album from the acclaimed Korean multi-instrumentalist and composer. A gorgeous meditation on the intersection of music and light.

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With B FLAT A this much acclaimed quartet from Gdańsk have produced their most epic and visceral statement to date. A universe where echoes of Can, Syd Barrett and Fugazi lovingly collide.

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Hunkered down and unable to record together, in 2020 the MEKONS created this glorious digital chain letter of an album. A sprawling manifesto of connection and defiance it deftly slides through fiddle tunes, digi-dub, fireside ballads and urgent rock & roll. First time ever on LP.

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Glitterbeat Records is very excited to reissue the out-of-print debut album from Brazil’s 10-piece instrumental powerhouse: Bixiga 70. Urgent and uncompromising. An inspired soundworld where Afro-Brazilian traditions and retro and contemporary sonics seamlessly meld together.

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Kuunatic is a thrilling Tokyo based tribal-psych trio bolstered by diverse global sonics and powerful female vocals. Drawing on the members’ different musical and cultural perspectives, their music explores ritual drumming, pulsing bass lines, atmospheric keyboard sounds and Japanese traditional instruments.

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Catherine Graindorge is a Belgian violinist, violist and composer. Produced by John Parish (PJ Harvey, Rokia Traoré), Eldorado is her second solo album. Gorgeous and haunting, Graindorge uses strings, harmonium and electronic treatments to explore intimate corners and widescreen vistas.

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“East Pakistan Sky” is the third album from the now legendary surti master Ustad Saami. The album follows his previously acclaimed recordings – God is Not a Terrorist (2019) and Pakistan is for the Peaceful (2020) – and presents two unedited performances that fully confirm the sublime and immersive experience of Saami’s musical (and spiritual) expression.

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This much acclaimed Cyprus-based trio return with a thrilling fourth album. The record pushes their trademark Mediterranean sonics into a deep psychedelic and avant-folk direction. A danceable fever storm of stringed instruments, multi-layered singing and trombone-driven low end.

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It is very likely that those who love Yol will also fall for Âlem, another record that showcases Altın Gün’s ability to reshape Turkish folk music through their own unique filter. Âlem and Yol also share the same faith in using electronic sounds as a base and are both mixed and co-produced by Belgian synth duo, Asa Moto.

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dal:um is a duo based in Seoul, who challenge the sonic possibilities of Korea’s most well-known traditional string instruments: the Gayageum and the Geomungo. Ethereal and otherworldly this is music that treasures the space between the notes.

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BLK JKS are a seminal force in the South African underground. Monster grooves meet guitar and brass driven afro-rock. Echoes of spiritual jazz, post-apocalyptic funk, renegade dub and kwaito. Features Malian guitarist Vieux Farka Touré and Beastie Boys accomplice Money Mark on the track “Maiga.”

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Sun-baked instrumental meditations played on local string and percussion instruments. Yearning vocals and songs that evoke the mystifying realities of everyday life. Recorded live and outdoors on Grande Comore island by acclaimed producer, Ian Brennan (Tinariwen, Ustad Saami, Zomba Prison Project).

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The legendary Malian singer/guitarist returns with his most personal and immersive album to date. Intimately recorded with a small band, “Binga” dives deep into Samba’s Songhoy roots. Moody Sahelian atmospheres. Cautionary tales. Hopes for better days.

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Coming out of the fertile London jazz and experimental scenes, Krononaut is a richly textured new ensemble helmed by guitarist/producer Leo Abrahams and drummer Martin France. Their self-titled debut album released by Glitterbeat label imprint tak:til in the autumn of 2020 was widely acclaimed for its deep dive into uncharted sonic territory. Krononaut have now returned with an equally engaging 3-song digital EP entitled “Scratch Test.”

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Altın Gün return with a masterful album that widens their critically acclaimed exploration of Anatolian rock and Turkish psychedelic stylings to include dreamy 80’s synth-pop and dancefloor excursions. Yol (Road) brings together all vectors of the Altın Gün experience and delivers their most compelling and individual album to date.

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The follow up to Johnson’s acclaimed Balsams album, The Cinder Grove delves further into the compositional possibilities of the pedal steel guitar. This halcyon collection of tracks draws on a wider palette of sounds, adding strings and piano, to dive deeper into the sound bath of Johnson’s meditative music. The Cinder Grove is a profound, affecting statement on the nature of loss and irreplaceability as well as a major addition to the canon of Johnson’s work.

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London-based sonic explorer Seb Rochford lets fly an immersive EP follow up to Pulled by Magnets’ lauded debut album “Rose Golden Doorways” (released earlier this year). A dark frontier where doom rhythms rub against haunted saxophone atmospherics, 4-time Mercury Prize nominee Rochford (Polar Bear, Sons of Kemet, Basquiat Strings), has created with this new trio, his most adventurous soundworld yet.

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Adhelm’s compositions investigate the spaces where insistent nature and bleak urbanity meet. The result is a compelling admixture of resonant percussion, processed field recordings and spectral electronics. His adventurous compositional processes and experiments echo musique concrète, Cageian indeterminacy and the deep listening ethos of Pauline Oliveros.

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The Amsterdam band Altin Gün, return with a masterful single – and upcoming album – that widens their critically acclaimed exploration of Anatolian rock and Turkish psychedelic folk to include dreamy 80’s synth-pop and dancefloor excursions. The band are a renowned live act with strings of sold-out shows on three continents, who have always brought muscular grooves and vibrant melodies to their recordings.

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Liraz, the highly touted Israeli-Persian singer, returns with a buoyant and border-busting new album. Shimmering electro-pop meets pulsing dance rhythms and retro Persian sonics. Includes clandestine collaborations with Iran-based musicians and composers. The result is her private revolution, songs with a true message, music to make people dance and smile – and above all, think.

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Growing up in cosmopolitan Istanbul and listening to Anatolian music icon Selda Bağcan and Kurt Cobain in equal measure, singer/songwriter/producer Gaye Su Akyol’s thrilling combination of Turkish psych and universal rock and roll has in a short span of time made her a force to reckon with on the global music scene.

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Firmly established as an influential voice in the burgeoning Russian DIY rock scene, Lucidvox’s incendiary mixture of atmospheric psych-rock, heavy riffs and Russian folk mystery has already gained them both critical attention and audience loyalty outside of their hometown of Moscow. We Are (мы есть) is their first international album release and the next element in their rapid rise. An influential voice in the burgeoning Russian DIY rock scene. Incendiary mix of atmospheric psych-rock, heavy riffs and Russian folk mystery.

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Following his 2019, critically acclaimed debut, God Is Not a Terrorist, 49-note scale microtonal vocal master Ustad Saami returns with an epic part two. Pakistan is for the Peaceful presents an even more immersive work, comprised of just three extended tracks and again produced 100% live at the master’s rooftop home in Karachi by Grammy-winner, Ian Brennan (Tinariwen, Zomba Prison Project, The Good Ones) with musical accompaniment provided by Ustad’s four sons.

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Ranging from trance temple sounds to rap-like street theatre performance and ending with the mathematical richness of Carnatic music, Ben Youssef’s in situ recordings form the foundation of his potent new album: Global Control / Invisible Invasion. Futurist syncopations meet hypnotic, timeless narratives. Expansive electronics fused with on location recordings. Kaleidoscopic and exhilarating.

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Coming out of the fertile London jazz and experimental scenes, Krononaut is a richly textured new ensemble helmed by guitarist /producer Leo Abrahams (Brian Eno, Imogen Heap, Jon Hopkins) and drummer Martin France. The album features an esteemed group of collaborators and a sonic footprint that channels spectral ambiance, ‘fourth world’ expansions and a gorgeous slow-boiling pointillism.

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This inventive duo of brothers from the Golan Heights – Hasan and Rami Nakhleh – return with an infectious re-imagining of their sound. Jammed full of pop hooks and quarter-tone melodic lines, “Migrant Birds” unleashes a disco whirlwind that pays homage to the Middle Eastern dancefloor scenes of the 80’s. Retro funky meets hi-sheen contemporary.

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The first-ever reissue of the classic 1981 debut album from this much revered Ghanaian band. Vibrantly produced by British sound explorer Brian Eno in Accra, Ghana. Highlife meets afro-funk. Spirited and horn driven. Yet another inspired morphing of soundworlds and processes and a significant touchstone for both artists.

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Raw and celebratory funeral music from northern Ghana. Hypnotic kologo excursions. Pulsing percussion. Enraptured voices. Recorded 100% live and outdoors by Grammy winner Ian Brennan (Tinariwen, Ustad Saami). Sixth release from Glitterbeat’s acclaimed Hidden Musics series.

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Border music without borders. Sergio Mendoza (a longtime member of Calexico) grew up on both sides of the US/Mexican frontier. On the band’s 3rd album, “Curandero,” his musical melding of that experience explodes from the speakers. Boogaloo, cumbia, ranchera & rock’n’roll. Curandero has a close, intimate feel, but this wasn’t a band playing together in a room; all the musicians came in separately to track their parts. 

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Tamikrest return with a vivid, irrepressible rock and roll statement. Their most powerful album since 2013’s wildly acclaimed Chatma, Tamotaït finds the band not only turning up the volume, but also sharpening their meditative atmospherics and ruminations on the state of the Sahara and the world beyond. Features acclaimed Moroccan singer Hindi Zahra and a track cut with Japanese traditional musicians.

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