Yonatan Gat – Universalists
Yonatan Gat is a guitarist, producer and experimental composer based in New York City. Gat’s second album – Universalists – is a conceptual and crafted snapshot of an artist evolving and experimenting, fusing the physical garage punk and freewheeling improvisational sounds of Gat’s past with elements of avant garde composition, electronic production and the signature sound of his genre-bending inimitable guitar.
Park Jiha – Communion
Park Jiha is in the vanguard of new Korean music. She combines classical minimalism with the rootedness of Korean folk motifs and the dynamics of post-rock and contemporary jazz. Over the last few years a rising tide of new Korean artists have staked a place in the global music conversation. Groups like Jambinai, Black String and Park Jiha’s earlier duo 숨[suːm] have created exciting soundworlds.
Jon Hassell – Dream Theory In Malaya
The first-ever reissue of Jon Hassell’s “Fourth World” masterpiece – originally released in 1981. Collaborators include Brian Eno, Daniel Lanois (U2, Peter Gabriel) and Michael Brook (Nusrat Fateh Ali Khan). Beautifully re-mastered, with a bonus track (“Ordinary Mind”) and liner notes written by Hassell himself. The 4th release from Glitterbeat Record’s new label imprint: tak:til.
Širom – I Can Be a Clay Snapper
The intertwining of diverse musical approaches, tools, histories of sounds and unbridled musical imagination and craftsmanship; these are the expansive guiding principles behind the Slovenian trio Širom. Hailing from Slovenia, Širom play vividly textured and mostly imagined folk music(s). Fusing handmade and global instruments with fearless sound exploration, the results are unbound by tradition or geography. Hypnotic, otherworldly & epic.
Joshua Abrams & Natural Information Society – Simultonality
An album of “pure motion.” Without sounding frenetic it is the most explosive Natural Information Society music on record, & without sounding over-determined it is Abrams’s most structured & thru-composed music yet. Much of it is also fast, a mass of densely patterned elements swiftly orbiting constantly reconfiguring centers that are variously harmonic & rhythmic, clearly stated or implied.
75 Dollar Bill – Wood/Metal/Plastic/Pattern/Rhythm/Rock
The NYC based duo of Rick Brown and Che Chen, creates hypnotic, pulsing music that weaves an ecstatic line from raw electric blues, Arabic modes and entrancing folk minimalism back to the streets of New York. Uncut called it: “An astonishingly potent next stage in an ongoing cultural exchange…magnificent; like a gnawa ritual that’s been convened by Junior Kimbrough.”
Laraaji – Ambient 3: Day Of Radiance
Widely celebrated at the time of its release in 1980 – as the third installment of Brian Eno’s emerging ambient music series (Ambient 1-4) – the album also brought with it an aura of mystification. An uncharted synthesis of resonating zither textures, interlocking, hammered rhythms and 3-D sound treatments (courtesy of Eno) “Day of Radiance” seemed to push open many doors at once, ambient music being only one of them.
Jon Hassell / Brian Eno – Fourth World Vol.1: Possible Musics
In the late 1970’s in New York, Hassell began to produce a series of astonishing albums where his trumpet explored both non-western modalities and dramatic sound processing. Brian Eno, who was living New York at the time was thrilled by Hassell’s debut album Vernal Equinox and sought out its creator. Eventually they began an in-depth collaboration that resulted in the classic album Fourth World Vol.1: Possible Musics.