Ifriqiyya Electrique – Rûwâhîne
Ifriqiyya Electrique was formed in the Djerid Desert in southern Tunisia, home to the Banga ritual of Sidi Marzûq. The Banga is a key annual event in the lives of the black communities of the oasis towns of southern Tunisia, descendants of the Hausa slaves transported from sub-Saharan Africa. It is a ritual of adorcism not of exorcism: of accommodating the possessing spirit rather than expelling it.
Joshua Abrams & Natural Information Society – Simultonality
Simultonality is an album of “pure motion.” Without sounding frenetic it is the most explosive Natural Information Society music on record. It is Abrams’s most structured & thru-composed music yet. Much of it is also fast, a mass of densely patterned elements swiftly orbiting constantly reconfiguring centers that are variously harmonic & rhythmic, clearly stated or implied.
75 Dollar Bill – Wood / Metal / Plastic / Pattern / Rhythm / Rock
The NYC-based duo of Rick Brown and Che Chen, creates hypnotic, pulsing music that weaves an ecstatic line from raw electric blues, Arabic modes and entrancing folk minimalism back to the streets of New York. ‘Wood / Metal / Plastic / Pattern / Rhythm / Rock’, their expansive second album, crashed onto many of 2016’s “Best-of” lists, including The Wire and Uncut.
King Ayisoba – 1000 Can Die
Born in Bolgatanga in rural Ghana, King Ayisoba was a prodigy on the kologo, playing locally until he’d outgrown the possibilities of the area. His new album is fiery and uncompromising. Ghanaian legend creates a raw, emphatic sound that fuses kologo music with contemporary sonics. Feat. Lee “Scratch” Perry, afrobeat legend Orlando Julius & more. Produced by Zea (from The Ex).
Tamikrest – Kidal
Tamikrest are the most innovative and forward-looking force in Tuareg rock. Kidal perfectly balances their rocking and meditative elements. The album was recorded in Bamako, Mali in the summer of 2016 and is restless, experimental, heartbroken and rebellious. This is the music of defiance, of hope. It’s rock’n’roll from the Sahara, the sound of the Tuareg dream, a dream that will be renewed again, in their ancestral town: Kidal.
Bargou 08 – Targ
It’s the forgotten place. Lying between the mountains of northwest Tunisia and the Algerian border, the Bargou valley and the village named after it lie isolated, away from the world. It’s poor, barren country, but standing apart, Bargou has developed its own culture that had never been documented until Nidhal Yahyaoui began the task. With Targ, the album he’s made with his band Bargou 08, Yahyaoui has perfectly fused the past and the present to place Bargou on the map.
Baba Zula – XX
Formed by Osman Murat Ertel and Levent Akman in 1996, Baba Zula took Turkish psychedelic pioneers of the 1960s as their inspiration and foundation for what they called Istanbul psychedelia, the fathers of a scene that’s since grown up around them. Baba Zula have played all over the world, won awards for their work in film and theatre, often been rewarded at the Turkish Billboard awards, and had their albums counted among the most prestigious ever released in Turkey.
Gaye Su Akyol – Hologram İmparatorluğu
Gaye Su Akyol is at the forefront of the new Istanbul scene. Her influences range from the Turkish chanteuse Selda Bağcan to Nick Cave, surf bands and psychedelia. Gorgeous, cinematic and subversive. Echoing the bittersweet tendrils of Turkey’s faded past and dramatic present, her lyrics are bold and deeply personal. The past becomes folded into the present and launched into the future. Hologram Ĭmparatorluğu is heady, powerfully intoxicating and beautifully dangerous.